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EXT. DESERT HIGHWAY (NIGHT)
FAR OFF in the distance, the glow of motorcycle headlights racing toward us. As we zoom out and focus in, they are already too close to avoid. They rip by us, thundering explosions and men and women cheering.
THE pack of about ten bikers and their women don’t wear helmets. They fly down the highway using both lanes, drinking and driving with total abandon.
ANGLE ON the lead motorcycle, a massive, custom-made Harley. GREGORY LOWFIELD, Thomas J. Anderson without a desk job, without cares, revs his bike and locks the accelerator. He hands his beer to the blonde who rides behind him, then, in one swift motion, jumps up on his seat, leaning into the slipstream.
The feat is IMPOSSIBLE.
HIS GIRLFRIEND, CHANDRA, screams at him as she grasps the seat and lowers herself to the bike.
CHANDRA
" Greg, are you fucking crazy? "
GREG
" Yes. But don’t worry."
She clings to his legs as they barrel down the highway. They blast pass a darkened cruiser.
INT. CRUISER
The cop sets his paper down just long enough to catch a glimpse of the pack exploding down the highway, with GREGORY surfing his bike.
ANGLE ON: the radar gun. It’s flashing 125 MPH
COP
" Holy shit. Drunk ass punks."
EXT. HIGHWAY
GREGORY is facing us as he drops back into his seat, taking his beer on cue from CHANDRA. Behind them, the cop’s lights flare up.
GREGORY
" Oh boy. Stop, stop, let’s have some fun."
INT. COP CAR
WE look through the windshield as the cop drives down the highway, calling in his stop-vehicle report. He suddenly sees something that makes him slam on the brakes.
COP
" Holy shit! "
ANGLE THROUGH the cop’s windshield. The ten bikers, with GREGORY at their center, are parked in the middle of the road, looking at him casually."
EXT. ROAD
THE cruiser comes to a stop mere inches from GREGORY’S leg. The COP bursts out of the door.
COP
" What the hell are you doing? "
GREGORY
" We’ll tell you when to stop, little man. Not the other way around."
COP
" Fuck."
HE DIVES back into his cruiser, reaching for the radio. GREGORY pulls a huge silver.44 from his jacket and FIRES. The cruiser’s antenna is blown off at the base, and the nine-foot whip flips onto the ground with a metallic clang.
INT. CRUISER
The COP is lying half-on the seat, taking cover. The handset relays only static. He reaches for his gun, but is frozen by Gregory’s voice.
GREGORY
" Don’t try anything stupid, man. I gotta bead on your donut-eating ass."
EXT. CRUISER
The cop comes out with his hands up.
COP
" Whaddya want with me? "
GREGORY
" I don’t know. I just thought I’d find out what you wanted without you shooting at me. So, what do you want? "
THE COP is a tough one. Far taller than GREGORY, muscular and serious.
COP
" You’re all under arrest."
THE PACK explodes with laughter. GREGORY walks up to the policeman and circles him, keeping the gun pointed in the business direction.
GREGORY
" This is your lucky day, officer. We’re gonna give you a night off."
CHANDRA walks up to him. Seductively, she hands him the bottle of hard liquour.
CHANDRA
" Drink."
WHEN he pauses, GREGORY places the gun against his temple. Reluctantly, the big cop starts to gulp down the alcohol.
GREGORY lowers the gun. He and CHANDRA return to their motorcycle.
GREGORY
" You never even saw us, man."
CHANDRA
" Keep the bottle."
THEY start their bikes and are gone, like ghosts, into the shadows of the road.
CUT TO:
EXT. BEACH
A CAMPFIRE blazes only a few feet away from the high tide. A billion stars shine overhead as GREGORY and his biker gang, including the cop, sit or lie around the fire. A few people are still awake, and one picks drunkenly at a guitar.
GREGORY stands, throws a blanket over his shoulder, and scoops up CHANDRA. They make their way into the dunes.
EXT. DUNES
GREGORY and CHANDRA lie on the blanket, staring at the sky. Inexplicably, GREGROY holds a hand toward the sky.
GREGORY
" Which one do you want? "
CHANDRA
" Any one. It doesn’t matter."
WITH his hand pointed lazily at the sky, a single star starts glowing stronger and stronger. It vibrates, then fades suddenly and comes loose from the sky, and becomes a meteorite, burning across the sky.
CHANDRA draws closer to him, enraptured by his power.
CHANDRA
" How do you do it, Gregory? "
GREGORY
" I don’t know. Sometimes it feels like... I’m reaching beyond the world."
HIS hand drops and his head turns. He sits up, startled by something.
CHANDRA
" What is it? "
GREGORY holds up a hand for her to be silent.
GREGORY
" They found us. Can’t you hear it? "
CHANDRA
" What? I don’t hear anything."
GREGORY
" We can only rebel so long. We can only push until they will hit back."
CHANDRA
" They? The Men in Black? "
CU on GREGORY. In the distance, the faintest sound of a helicopter can be heard, growing louder.
GREGORY
" Fuck! Get to the bikes."
EXT. CAMPFIRE
GREGORY bursts over the hill, holding hands with CHANDRA as they run. He’s only had time to through on his boots and boxers and grab his .44. Chandra is dressed only in her underwear and Gregory’s leather jacket.
GREGORY
" Wake up! Get on your bikes and fucking ride! "
HIS gang burst to their feet. They scramble through the dunes, heading for their bikes.
A HELICOPTER, seen only by it’s massively strong search lamp, and the wind from its rotors blowing sand everywhere, flies up and over the dunes, buzzing the running pack, blowing some off their feet.
GREGORY mounts his bike and CHANDRA jumps on back. WITH A WAVE OF HIS HAND, all the bikes, his included, drop into neutral and rev into start. Their headlights blaze as the helicopter returns, joined by another.
CHOPPER LOUDSPEAKER
" THIS IS THE POLICE, STOP YOUR VEHICLES AND SURRENDER! "
SUDDENLY, automatic fire sparks from the unseen helicopters. A bullet trail stitches its way across a pair of bikers, sending them to the ground as the helicopters fly overhead.
GREGORY cranks down on the throttle and his bike explodes ahead.
EXT. HIGHWAY
THE pack splits up in two directions as the distant choppers circle back. GREGORY cuts the lights on his bike and follows the highway by starlight.
INT. HELICOPTER COCKPIT
TINNY RADIO chatter fills the red-lit cockpit over the steady hum of the engines. The nose of the chopper points to the ground as it focuses on GREGORY and CHANDRA, who are ripping down the highway.
CU on the cockpit instruments, centered on the airspeed indicator. The needle is pushing to the max, going through 150 knots.
PILOT (V.O.)
" Holy shit, he’s outrunning us."
CUT TO:
EXT. HIGHWAY
GREGORY is pasted down to the tank of his bike with CHANDRA gripping him for her life. The slipstream pulls his lips open and tears streak from his eyes as his bike redlines in fifth gear. The helicopters grow smaller behind them. They break chase.
CHANDRA looks back and sees the lights turn away. She screams over the wind and the roar.
CHANDRA
" They’re gone! "
GREGORY is staring down a dark highway.
GREGORY
" Can’t see shit."
HE turns the headlights back on, just in time to see a ROADBLOCK of heavy duty military trucks. In front of the trucks is a sandbag wall manned by soldiers. The trucks are flanked by police cars. And if one looks closely enough, they can see a pair of AGENTS standing to the side.
THE stunned soldiers have time to fire off a couple shots as they run frantically to get out of the way of the bike, 800 pounds of metal flying at 150 miles per hour.
GREGORY plows into the sandbag wall, directly between two parked trucks. The wall parts in an explosion of sand and sandbags. THEY’RE THROUGH, but the bike scissors uncontrollably, until it rolls and we drop into bullet-time.
AS the bike goes over, we watch from the side as GREGORY dismounts, grabbing CHANDRA as he steps over onto the safe side of the bike. A
massive shower of sparks bursts and trails the bike. It tumbles like a bullet falling through syrup, and GREGORY keeps walking over the rotating surface, using the bike to protect him and CHANDRA against the flesh-ripping concrete.
THE bike is coming apart as it’s bashed against the concrete. Pieces rise slowly into the air - the front wheel, the forks, the mufflers, and a million flakes of metal, until the body bounces into the air, carrying GREGORY and CHANDRA up. Holding her to him - she’s barely conscious of the lightning-fast crash, GREGORY rides the flying body with one hand on the frame. It comes crashing down and back into real time.
THE bike’s body streaks along the highway. The sparks fade as it slows, and pieces of metal come clanging and banging down around them. They stop, crouching atop the body, with GREGORY crouching over CHANDRA. The disembodied front wheel rolls past them.
STUNNED, not quite understanding how or what he just did, he and CHANDRA stand and start running. BEHIND them is a blurry wall of red and blue lights. POLICE SIRENS grow louder.
THEY start running down the highway, then GREGORY yanks CHANDRA to a stop.
GREGORY
" Split up, into the desert, go! "
THEY split.
CU on CHANDRA. In bare feet, she sprints for the side of the road. The highway is littered with pieces of the bike, and she stomps on a twisted piece of metal that impales her bare foot. She falls to the asphalt with a scream.
GREGORY turns and rushes back to her, even as a police cruiser is bearing down on them, it’s V-8 roaring and the siren IMPOSSIBLY LOUD.
GREGORY drops to her side, only to look up into the blinding high beams. He drops over CHANDRA, ducks his head and extends his hand toward the oncoming cruiser and we drop back into BULLET TIME.
THE CRUISER runs into his hand and stops as though it hit a steel post. The hood crumples in the center, pushing the grill in even as the front quarter panels of the unibody continue around GREGORY and CHANDRA.
INT. CRUISER
THE ENGINE smashes in through the console, pushing the cops apart as the glass windshield explodes and their seats slide forward into the console, smashing them like jelly.
CU: GREGORY AND CHANDRA
WITH HIS HAND still on the grille, CHANDRA AND GREGORY remain untouched, even as the entire police cruiser rips around them. WE drop back into REAL time and see the cruiser’s body rip over and around them. The grille and engine block and part of the mangled transmission remain still against GREGORY’S HAND. The cruiser was gutted, like a banana shot down the center from top to bottom. It speeds beyond them, silent now, flips and explodes.
THE ENGINE block is suspended a few feet in the air. It drops to the ground with a thud.
GREGORY and CHANDRA get to their feet and run into the early morning desert.
CU: GUTTED CRUISER
UNBELIEVABLY, the driver is still alive... barely. The steering wheel is smashed deep into his mouth, splitting his jaw open. Wet, broken chokes emanate from his blood-filled mouth. His eyes flicker, and just before they close forever, his body is seized by pain as he MORPHS.
EXT. GUTTED CRUISER
THE CRUMPLED DOOR is knocked out of the frame. WE SEE a black loafer step from the vehicle and a man in an immaculate black suit steps out slowly.
WE rise up from the loafer. As the other cruisers catch up to the scene of the accident, AGENT BROWN watches. He looks into the desert.
A POLICE lieutenant approaches BROWN.
LIEUTENANT
" Sir, should we pursue? "
AGENT BROWN
" Withdraw your men and pursue the others. We have our own plans for this one."
INT. MAIN BRIDGE (NIGHT)
The ship is quiet. RAZOR sits at the operator console, smashing the keyboard as he forces Tetris pieces into place.
INT. COCKPIT
CHOI is sipping coffee as he nudges the ship to a stop. He speaks into his headphones.
CHOI
" OK, try it here."
INT. MAIN BRIDGE
RAZOR halts his video game playing and flashes to a different screen. Lines of code come pouring down the screen as he types, then hits the ENTER key with a flourish. The screen flashes, and the familiar scroll of the MATRIX cascades down the screens.
RAZOR
" Holy shit."
CUT TO:
INT. MAIN BRIDGE
CHOI
" What? Tell me you got signal."
RAZOR (V.O.)
" No fucking shit I got signal. Dude, they’re changing it."
CHOI is annoyed.
CHOI
" Are you using the right pulse wave? "
CUT TO:
INT. MAIN BRIDGE
RAZOR
" Shut the fuck up and get back here."
THE MATRIX scroll pours down at a streaking pace. It’s almost impossible to make out the individual characters.
CHOI comes up behind RAZOR
CHOI
" Oh my God. What are they - "
RAZOR
" They’re changing the Matrix."
CHOI
" Call Morpheus."
RAZOR patches into MORPHEUS’ cabin through the headset.
INT. MORPHEUS CABIN
IT’S dark, but quiet classical music can be heard. He’s not in bed alone. NIOBE’S shaded form can be made out behind him.
MORPHEUS sounds awake, but looks anything but. He grabs the buzzing handset only an arm’s length from him.
MORPHEUS
" I’m here."
RAZOR
" Sir, you gotta get down here."
MORPHEUS starts dressing as he talks. He puts a reasurring hand on NIOBE’S shoulder.
MORPHEUS
" Proximity alarm? "
RAZOR
" The Matrix, sir. The coding is going nuts."
MORPHEUS
" Be right there."
MORPHEUS hangs up the phone and jumps into his boots. He turns to NIOBE as he works.
MORPHEUS
" It sounds bad. They’re readjusting quicker than we thought."
NIOBE jumps up and dresses quickly.
NIOBE
" Already? "
MORPHEUS
" It appears that they are learning their lessons."
NIOBE shakes her head.
" Morpheus, how much are you going to tell him? "
MORPHEUS pauses.
MORPHEUS
" Tell Neo? About his predecessors, I suppose? "
NIOBE, dressed, nods.
MORPHEUS
" He is the -"
NIOBE puts a finger to his lips.
NIOBE
" Six came before him, Morpheus."
MORPHEUS shakes his head slowly.
MORPHEUS
" To me, none came before him. The Oracle told me I would find the one. It is prophecy. You haven’t seen what he can do."
NIOBE
" What if they toughen the Matrix code, like last time? "
MORPHEUS
" There are lots of ifs. How about this one: What if we lose faith in our cause? "
HE disappears through the door, leaving Niobe standing in the dim light.
INT. MAIN BRIDGE
MORPHEUS leans over RAZOR and CHOI.
MORPHEUS
" Talk to me."
RAZOR
" Not good, boss, I gotta compile a new descrambler."
MORPHEUS nods.
MORPHEUS
" Do it. We’re at broadcast depth? "
CHOI
" Yes sir."
MORPHEUS
" We have to download our mission specs. Move aside, I have to log into the mainframe."
MORPHEUS takes over RAZORS seat. The scrolling code disappears, replaced by the small words: ZION.dtr1.mnfr4m3 LOGON.
MORPHEUS pushes the keyboard under the console so its hidden from view. He taps at the keyboard. Hidden password appears on the screen in the form of: XXXX XXXX XXXX XXXX XXXX XXXX XXXX.
SCREEN: LOGON ACCEPTED. WELCOME, MORPHEUS.
MISSION SPECS DOWNLOADING...
DOWNLOADED
LOGOUT COMPLETE
MISSION TYPE: INFILTRATION / DESTRUCTION
TARGET: MATRIX MAINFRAME
MORPHEUS’ eyes open slightly when he reads the screen, but he regains his composure quickly. RAZOR’S mouth drops open, and CHOI starts cracking up.
CHOI
" The mainframe? Haha. It’s a joke, right Morpheus? Is today April 1^st ? "
NIOBE appears behind them.
NIOBE
" It’s not a joke. We have The One. We must do it now."
RAZOR
" But they’re altering the code already. I can’t even read it yet."
MORPHEUS turns and faces them.
MORPHEUS
" We have our mission, but it’s up to us to interperate how we’ll do it."
RAZOR
" Morpheus, there’s more ice in front of that mainframe than there is in Antarctica. We’ll never cut through it all."
MORPHEUS
" You haven’t seen The One in action."
RAZOR looks dubious, and turns to the screens.
MORPHEUS
" Can you hack in? "
RAZOR pounds the keys. The Matrix disappears, replaced by his program.
RAZOR
" Getting you in is no problem. Maintaining the input/output and helping you is the problem. That’s how they killed savior number four, if I remember right. They cut the signal and trapped him in there."
MORPHEUS spins the chair, then stops it. Their faces are inches apart.
MORPHEUS
" We don’t speak of the past."
RAZOR
" Excuse me for dragging up painful memories, sir."
HE turns the chair back to the screen and continues coding.
CUT TO: NEO
He’s standing at the edge of some equipment on the Main Deck. He’s heard every word. He rounds the corner. The others catch sight of him. The same thought is on everyone's mind: How much had he heard.
MORPHEUS
" Morning. Niobe, wake the rest of the crew. Razor, what’s the ETA for getting us in there? "
RAZOR shakes his head.
RAZOR
" I dunno. Just gimme an hour, I’ll probably have caught up to them."
MORPHEUS walks up to NEO.
MORPHEUS
" Come with me."
CUT TO:
EXT. DESERT (DAY)
FROM FAR AWAY, we see GREGORY and CHANDRA hiding under the only bit of shade available for miles, a tiny outcropping of rock. We sail in and cut to a panning shot, scanning over the harsh ground, onto CHANDRA’S feet, clad in Gregory’s boots, up her sun-scorched and scratched legs. She’s collapsed onto Gregory. He’s in equally bad shape. Gregory leans with his back against the rock, eyes opening and closing as he drifts in and out of sleep.
GREGORY POV
He stars at the horizon and the mirages of water reflecting the jaundiced yellow sky. In the shimmering distance, a man appears, but Gregory’s lids shut and we see darkness. When he reopens them, the figure is more clear. It’s a man, dressed in a black suit. Even in the distance we can recognize him. We want it to be him.
EXT. DESERT ROCK
GREGORY can barely come to his senses as the figure approaches. CHANDRA doesn’t even wake.
EXT. DESERT
We follow the figure at waist heigh as it approaches GREGORY. It comes to a stop just in front of him.
EXT. DESERT ROCK
GREGORY is fully awake, but he thinks he’s dreaming. He reaches out and pokes the black-clad leg of the immaculate man standing before him - a man who doesn’t sweat even in the sauna heat. He looks up, but the glaring sun obscures the face.
GREGORY’s voice is raspy as he starts to speak.
GREGORY
" Oh my God. It’s... The Man."
MAN IN BLACK
" I’ve been searching for you for a long time, my friend."
GREGORY lowers his head.
MAN IN BLACK
" We need you, Gregory."
GREGORY
" What for? "
MAN IN BLACK
" To save our world."
GREGORY’S FACE RAISES, THE MAN IN BLACK eclipses the sun with his head, making a hallo of hazy sunlight around an all-too familiar face: AGENT SMITH.
GREGORY’S head drops back down. He strokes CHANDRA’S hair.
GREGORY
" It’s too late. We’re dead."
AGENT SMITH
" Do you want to live? "
GREGORY
" What for? "
AGENT SMITH
" A better life for all. Life for her. And for you, a chance for revenge."
GREGORY raises his head.
AGENT SMITH grins. He turns away, and the desert landscape before them turns into a soothing, cool, crystal forest lake. Smith takes a step toward it, then turns and extends his hand.
AGENT SMITH
" Interested? "
GREGORY is mystified. Speechless, he drags himself to his feet, hoisting Chandra, and steps toward the lake.
GREGORY
" This can’t be real."
HE steps forward, only to have the image recede.
AGENT SMITH
" You this, don’t you? "
GREGORY
" Yes."
AGENT SMITH
" Will you help us? "
GREGORY
" Anything."
CU: SMITH extends his hand. GREGORY grasps it. He lets go, and collapses into the cool shallow waters of the lake edge.
EXT. LAKE SHORE
THE DESERT is gone, replaced by forest, though still under the poisoned sky of the Matrix.
GREGORY laps the water up, and pulls CHANDRA in, rubbing the water over her face. Calmly, AGENT SMITH stands on the lake shore.
CU: AGENT SMITH. The humans are reflected in his perfectly still glasses.
CHANDRA stirs and awakens, though she doesn’t seem to see SMITH. GREGORY, revitalized, looks around at the miracle, and up at the mystery man.
GREGORY
" Who the fuck are you? "
SMITH grins devilishly.
AGENT SMITH
" I’m nobody. A Smith. What’s more important, is you. We need you, Gregory."
GREGORY stares. He pulls CHANDRA ashore and stands to look AGENT SMITH in the eyes.
GREGORY
" First you try to kill me. Now you need me."
AGENT SMITH
" Two years ago, Gregory, your parents were killed in a terrorist attack in the heart of the city."
THE words spark something nasty in GREGORY.
GREGORY
" So what? "
AGENT SMITH
" The terrorists were led by a certain individual."
GREGORY
" I know who it was."
AGENT SMITH
" We need you to kill him."
GREGORY laughs he turns to CHANDRA to check on her. She’s passed out on the smooth grass.
GREGORY
" What a bunch of bullshit. The whole government can’t kill him, so how can I? "
AGENT SMITH
" No one in the government can do what you can."
GREGORY
" Fuck you."
AGENT SMITH
" I believe we have a deal."
GREGORY stands and puts his face next to SMITH’S
" You know, I’ve always wanted to fuck the devil on a deal. And this looks like a once-in-a lifetime opportunity. So, FUCK YOU! "
SMITH frowns. GREGORY looks him up and down. He’s got a few inches and pounds on the smaller agent.
GREGORY
" What are you gonna do, little man? You looking for a trip to the fucking hospital? Fuck with me and you’ll be looking for some plastic surgery, you - "
SMITH delivers a chest punch that sends GREGORY sailing back twenty feet. He tumbles to a stop, coughs, and stares in disbelief at SMITH, standing calmly at what seems like an impossible distance away.
CU: SMITH. HE removes his glasses calmly.
CU: GREGORY. He was stunned, but he’s not out of the fight. Not by a long shot.
GREGORY
" No man can beat me."
SMITH
" Bring it on, pussy."
Pull back as he CHARGES SMITH
SMITH is ready to deflect the blow, but GREGORY dodges and bowls him over, barroom style. With SMITH pinned below him, he slams his palm downward. SMITH’S head dodges the blow that pummels the ground.
GREGORY is screaming as he smashes downward with the palms of his heels. Every blow misses the mark.
GREGORY
" Mother fucker, what the fu -? "
SMITH bucks up, throwing GREGORY into the air. He flips onto his back as GREGORY returns. The sheer force of his street-forged roundhouses knock SMITH around as he blocks. Growing irritated at the untrained attack, SMITH turns a block into a palm-heel that hits GREGORY in the forehead with the force of a cannon blast. Momentarily stunned, he steps back enough for SMITH to perform a roundhouse kick. It’s like a helicopter blade, smashing into GREGORY’S head and sending him to the ground in a heap.
SMITH
" Ready to change your mind? "
CU: GREGORY
HE can’t respond very well. Blood fills his mouth and his face is mashed. A huge welt grows under the loafer mark left by SMITH on the right side of his face.
SMITH crouches down by GREGORY
SMITH
" I can teach you to beat me, you know."
THIS interests GREGORY.
SMITH
" Help us, and both you and her will be free afterward."
GREGORY stares at the ground, then gazes past SMITH at CHANDRA. Finally, he starts to rise. SMITH offers a hand, and GREGORY takes it.
SMITH
" You know it, don’t you? That there’s more to your world than what you can see, what you can rationally explain? "
GREGORY
" Yeah."
SMITH
" I’m going to teach you how to use the powers you can’t even imagine. But first, you need to learn to fight."
SMITH puts his hand to his earpiece. GREGORY’S eyes close and his body SPASMS. He falls to the ground, breathless, and when his eyes open, he stares up at SMITH.
GREGORY
" Holy shit. What the -"
HE stares at his hands. He sits up, and watches his hands, amazed, as he goes through a series of block-punches. He stops and stares up at SMITH.
GREGORY
I know Kung-Fu."
SMITH grins.
INT. COCKPIT (NIGHT)
MORPHEUS and NEO sit together. The cockpit lights are dimmed down, only the EMP pulse button glows. Outside the ship, in the dark mists of the underworld, patches of eerie phosphorescent moss glow on the walls. Occasionally, a squiddie will pass over the darkened ship.
The two of them watch the deadly outside world.
MORPHEUS
" We’re deep in their territory."
NEO
" I see that."
MORPHEUS stares out at the night, deep in thought. He turns to NEO.
MORPHEUS
" Are you rested? "
NEO
" Yes."
MORPHEUS
" You know now, that you had predecessors."
NEO
" Yes. I’ve heard things."
MORPHEUS
" What types of things? "
NEO
" That there were others, like me, who you thought were going to be special. But they ended up dead."
MORPHEUS nods slowly.
MORPHEUS
" It’s true. There were others. And I didn’t tell you right away. Because you were not ready."
NEO nods.
MORPHEUS
" Does this anger you? "
NEO
" I don’t know yet. So much has happened so fast, that I can’t decide whether or not I’m angry, or dissappointed, or even if I should be."
MORPHEUS
" You shouldn’t be, Neo. You are the key in the Oracle’s prophecy. Everything forseen to come to pass, has, except one thing."
NEO
" What? "
MORPHEUS
" The destruction of The Matrix."
MORPHEUS looks out into the darkness.
MORPHEUS
" Your coming was heralded, and it is my destiny to prepare the world for you, and to baptize you by fire. But from here on out, no one knows."
NEO
" Can we ask The Oracle."
MORPHEUS
" Not in this life."
NEO is confused.
MORPHEUS
" No one has heard from her or her priestesses since the day Cypher turned on us."
NEO is taken aback.
NEO
" But she must have known, if they came to her."
MORPHEUS
" Perhaps she did."
NEO shakes his head.
NEO
" I can’t believe it. I don’t know, Morpheus, if I’m prepared for this war. I’m not a soldier. How, how are we going to win? "
MORPHUES
" For decades, we have fought force-on-force, in the real world, without a conclusion. Now, after nearly a century of war, we’re at a standstill. The only way that we can see to win is by destroying their source of energy. We have to pull the plug on them. We must crash the Matrix."
MORPHEUS grins slyly.
MORPHEUS
" Remember, when I told you, that I’ll show you how deep the rabbit hole goes? "
NEO
" Yes."
MORPHEUS
" I brought you deep, yet I no longer know the way. No one does. With every second we sink deeper than before. You are our guiding light, now. Your powers exceed mine a millionfold. I have shown you the path to victory, Neo. Lead us down it."
INT. MAIN DECK
MORPHEUS, NEO, TRINITY, CHOI, and NIOBE are on the chairs as they’re being JACKED IN by CIRCA and RAZOR.
CUT TO: RAZOR jumps in the operator’s chair, his hands blur over the touchscreens and keyboard as he drops his crewmates into the Matrix.
MORPHEUS (O.S.)
" We’re going straight for the throat, people."
ANGLE ON: RAZOR and CIRCA typing like made at their keyboards. RAZOR hits the ENTER key. They look on, transfixed with anticipation. The screaming Matrix code grinds to a readable halt. The slap each other’s hands and continue hacking.
MORPHEUS (O.S.)
" We have the advantage of surprise. They won’t expect us to return so soon."
INT. ABANDONED WAREHOUSE
THE FIVE of them stand, immobile, around a ringing phone as their minds filter in to their body images. They are dressed practically in denim and leather, like blue collar workers. Their dress wouldn’t attract the slightest bit of attention, except for the padded coats and tote bags filled with firepower.
INT. MAIN BRIDGE
CIRCA
" Keep your eyes out for changes, they’re modifying things. Dial ‘0’ for operator."
INT. ABANDONED WAREHOUSE
MORPHEUS holds his celly to his ear.
CIRCA (O.S.)
" And have a nice day."
HE drops the phone into his pocket. They turn to him.
MORPHEUS
" Niobe, you’re the liasion to our operators. Neo, what do you have for a game plan? "
NEO
" Where is the mainframe? "
MORPHEUS
" The Metacortex building."
NEO’s jaw drops.
NEO
" What the fuck? That’s where I worked."
CHOI
" And what do you think you were doing there, writing code for video games? You were working for The Man."
TRINITY
" It’s true, Neo. Metacortex employs humans to write code for the Matrix."
NEO
" I thought I was working on a fucking database."
MORPHEUS
" They keep the left hand from seeing what the right hand is doing. That’s how an evil system can be made by innocent people. But, that doesn’t matter."
NEO recovers.
NEO
" How ‘bout this? I just walk up to the Metacortex building and blow it up? "
CHOI laughs.
CHOI
" What, by power of will? "
NEO nods. CHOI’S smile fades. He looks to the others.
CHOI
" He’s joking right? "
MORPHEUS shakes his head.
MORPHEUS
" We’ll fan out around the city, keeping an eye out for you. If you’re able to accomplish this mission, we’ll phase back into the ship. Stay in contact. If you lose your cell, contact an operator immediately."
EXT. ABANDONED WAREHOUSE
THE five of them exit. They blend into the crowds on the street, anonymous and quiet. MORPHEUS looks back as NEO, taller than most, heads down the street.
NIOBE pauses next to him.
NIOBE
" What is it? "
MORPHEUS shakes his head.
MORPHEUS
" What’s going to happen? If this is it, right now? The end? "
NIOBE
" I can’t even imagine."
HE grins and starts to turn. As he does, his profile matches the profile on a WANTED poster stuck to the wall. It’s a dark, grainy picture of him, alongside photos of Neo, and Trinity.
POSTER: INTERNATIONAL TERRORISTS
MORPHEUS glances at it, and continues on.
EXT. DOWNTOWN STREET
NEO walks calmly, observing the people that filter by. Men, women, children, all oblivious to their true nature.
A dirty homeless whino, nose explosion red with burst blood vessels, is staggering along the edge of the crowd, unseen and ignored. Somehow, he catches NEO’s eye.
HOMELESS
" Spare a quarter, buddy? "
NEO shakes his head, but still stares.
ANGLE on the HOMELESS. He mutters something, and reaches into his shopping cart to open a garbage bag. It’s filled with twenty dollar bills, thousands of them.
NEO
" How ‘bout a quarter mil? "
THE homeless man is astounded. As he stands, speechless, NEO fades back into the crowd.
EXT. FOREST GLADE
SMITH and GREGORY fight in the glade. SMITH is always one step ahead. HE is a cruel sensei, and doesn’t pull punches. But with every blow GREGORY takes, he rebounds and attacks again.
FINALLY, just as he seems to be gaining on SMITH, he takes a rapid fire series of blows, and collapses to the ground, breathless and beaten.
GREGORY
" Fuck."
SMITH circles him.
SMITH
" Pain is only weakness leaving your body. When you are sufficiently strong, you will feel no pain."
GREGORY
" Tell me about what is happening. What’s wrong with the world? "
SMITH
" Get up and fight."
GREGORY gets to his feet and takes a stance. SMITH stares at him from a relaxed poise. He slaps at GREGORY, who deflects the blow and takes a jab, nearly hitting SMITH on the chin. They circle.
SMITH
" The world is not for you."
HE slaps, has it deflected, dodges a blow.
GREGORY
" What do you mean? "
SMITH
" You’re not human, Gregory. That’s why you don’t fit in. That’s why you have certain powers."
GREGORY takes a swipe. They engage, then push off one another.
GREGORY
" What, am I from planet Krypton? "
SMITH
" Not quite. But as humans continue to evolve, some are developing capabilities beyond those of the average man. Reality-altering abilities. I have them. Others in the Agency have them. And you have them, too. We’re all that stands between law and order, and a terrorist dictatorship lead by the one called Morpheus."
THEY stop fighting for a moment.
SMITH
" We need you to stop the terror. We need you to save our world."
IT sinks in. GREGORY is starting to believe.
SMITH
" We need you, because you’re better than me. Now push past your abilities. You can turn you imagination into reality. See your hands striking me, see yourself overcoming me. Fight, boy! "
SMITH comes at him, and GREGORY responds. Their fists and kicks are a fast, then turn into a blur. GREGORY can’t believe his own actions. SMITH misses a block, and GREGORY blows him backward with a chest punch.
SMITH, recovering, looks up. GREGORY looks around. CHANDRA is gone.
GREGORY
" Where is she? "
SMITH stands. From behind his back he produces a baseball sized glass ball. He tosses it to GREGORY.
SMITH
" Here."
GREGORY looks in the ball. It’s a window to an apartment overlooking the city. Chandra is in bed, waking up.
SMITH
" She doesn’t remember our encounter. She’s fine. Don’t worry."
THE BALL disappears.
SMITH puts his hand to his earpiece.
INT. OFFICE BUILDING
AGENT BROWN is staring down at the ground. ACROSS THE STREET, NEO is walking toward his building.
BROWN
" He’s back."
EXT. FOREST GLADE
SMITH
" I’ll be there. Execute the defense plan."
SMITH turns to GREGORY.
SMITH
" Come with me. But only watch. You’re not ready to engage in a fight with the enemy."
GREGORY
" Why not? "
SMITH
" Because if you haven’t defeated me yet, you won’t defeat them."
SMITH snaps his fingers.
EXT. ROOFTOP
GREGORY finds himself alone on the top of the MAKARAO hotel, overlooking METACORTEX PLAZA.
EXT. STREET
The METACORTEX building stands across the street. NEO has been along this road a thousand times, but in another lifetime.
NEO raises one hand, palm pointed toward the building.
CUT TO: NEO’S POV: The building is a massive tower of glowing shimmering energy, no more real than a three-dimensional polygon.
EXT. BUILDING ROOFTOP
MORPHEUS and NIOBE stand atop a building a few blocks away, looking toward the Metacortex building.
ANGLE on NEO
HE FIXES his gaze on the building, then lowers his head and closes his eyes.
THE building tremors slightly, like a heat mirage. Slowly, it starts moving downward.
ANGLE ON: the first level. The exterior glass disappears, vaporizing in a million crystal shards that melt into the air, exposing the hive of office cubicles and corridors within.
The walls, desks and cubicles vaporize, leaving a few hundred people - office workers, security, maintenance men, standing with nothing between them.
The massive LOAD BEARING MEMBERS vaporize.
CUT TO: the bottom of the building. One can look straight through the entire building. WE go through the empty building, passing dazed people, until we pass out the other side, and come to NEO.
HE looks up. The office building is supported by nothing. Slowly, it descends on the stunned people. They rush, screaming, some laughing in hysteria, before the ceiling can come down on them. The last few flee just before the ceiling touches the ground. The second floor melts away just like the first.
EXT. BUILDING ROOFTOP
NIOBE and MORPHEUS stare on in amazement as the building collapses, floor by floor.
NIOBE
" He’s doing it."
MORPHEUS
" I knew it."
EXT. STREET
CHOI and TRINITY look up in the air at the roof of the METACORTEX building, standing beyond a block of buildings. It sinks toward the ground as a flood of people come screaming around the corner.
CHOI
" It can’t be this easy."
TRINITY
" It’s not over yet."
MAN’S VOICE (O.S.)
" Not by a long shot."
CU: TRINITY’S FACE. SOMEONE plants the barrel of a silver Desert Eagle .45 against her temple. TRINITY whips her head backward as it fires. We drop into BULLET TIME as the flame and concussion blossoms in front of her face, ripping her sunglasses off as she drops backward, pulling a pair of MAC-10 Uzis from under her jacket.
THE MAN’S VOICE belongs to AGENT BROWN
CHOI turns, pulling a short weapon from under his coat. It’s boxy, with a short barrel the size of a soda can. He plants it in the small of BROWN’S back and pulls the trigger.
A CONE OF FIRE burns straight through brown, blowing steam, flame, smoke, vertebrae, and viscera out a massive hole in his stomach.
CU on the weapon. It recoils on tension coils, discharging a shell the size of a 12-ounce soda can.
REAL TIME
What remains of BROWN flies forward. CHOI helps TRINITY up and the retreat into the building and take cover under a window. Through the window, we see military trucks, filled with troops, charging down the street, toward the Metacortex plaza. After the trucks come rumbling, black-painted M1A2 ABRAMS tanks. A black APACHE HELICOPTER flies over the convoy.
CHOI looks through the window as he reloads his hand cannon.
CHOI
" Holy fucking shit."
TRINITY
" We’ve stirred up the hornet’s nest now."
INT. METACORTEX OFFICE
AGENT SMITH and JONES stare down into the plaza. The building shakes slightly as it descends.
FROM the three streets that enter the plaza, military vehicles pour in. Hundreds of troops discharge and form a L-shaped circle around NEO. Tanks rumble in, and the Apaches whirl to a hover. Panicking civilians rush out of the kill zone.
NEO stands calmly, continuing his work.
EXT. ROOFTOP
MORPHEUS and NIOBE stare from the rooftop.
EXT. METACORTEX PLAZA
The air rumbles as the building continues to gently collapse. The sky flashes, and massive streaks of lighting blast across it like cracks in reality.
CU: SOLDIERS
They line their weapons on NEO. They are nervous
PRIVATE
" This is impossible. What’s going on? "
SERGEANT
" Just keep him in your sites, soldier."
INT. TANK TURRET
CU: TANK GUNNER
HIS eye is glued to the tank site and his trigger finger on the fire button.
POV: TANK SITE
The green crosshairs sit on NEO’S chest.
CU: NEO
His eyes open, but the building continues to collapse. He stares up at a mirrored window, and somehow, straight into the eyes of:
CU: AGENT SMITH
SMITH
" Open fire."
A WALL of flame and fingers of tracers bursts from the skirmish lines. The tracers grow into a cone of orange flame bearing down on NEO as we drop into bullet time.
THE bullets sizzle as tracers burn off their backs. The draw toward him like slugs. Thousands of bullets fired at perpendicular angles close in on him. As they draw close to one another along almost perpendicular paths, they tinkle and chime and bounce.
The bullets come to a stop, glowing as their tracers backs continue to burn. The world is in stop motion as the bullets stop, turn 180 degrees, and suddenly accelerate back at their origins. Faster and fast they fly, until we drop back into REAL TIME.
THE SKIRMISH line of troops is ripped apart by a hail of their own bullets.
CU: MACHINE GUNNER. With an M-249 SAW, he blazes away at NEO, only to be shredded by his own bullets. A private takes a shot at NEO, and a bullet slaps into his shoulder. REALIZING what’s happening, he drops his weapon.
THE SOLDIERS are dropping like flies. The firing quickly subsides.
NEO stands alone in the center, unharmed. He turns to the skirmish lines. THE surviving soldiers drop their weapons, and run. Panic ensues. Only a few officers, NCOs, and soldiers too amazed to think of running remain.
INT. HELICOPTER COCKPIT
NEO is targeted on an LCD screen.
PILOT
" Fox One."
EXT. HELICOPTER WING
CU: AGM-65 HELLFIRE GROUND-TO-AIR-MISSILE
The missile drops from its release claws and ignites, accelerating off screen.
POV: HELLFIRE NOSE CAM
The missile flies horizontally over the plaza, then pitches up, and back down at NEO. He looks at it, and at the last second the nose goes back up.
EXT. PLAZA
The missile swoops up over him, leaving him in its exhaust smoke.
POV: HELLFIRE NOSE CAM
THE missile banks, panning across the city, until it locks onto the helicopter from which it originated.
INT. HELICOPTER COCKPIT
THE missile bears down the chopper.
CU: PILOT
HE’S TOO stunned to move. Mouth agape, he can only watch as:
EXT. HELICOPTER
IT’S BLOWN to fiery pieces, and comes tumbling down, landing on the street as soldiers and civilians flee.
INT. TANK TURRET
TANK COMMANDER
" Fire! "
THE GUNNER pulls the trigger.
EXT. M1A2 ABRAMS
WE drop into bullet time as a cone of fire - bigger than the tank and the shape of a pine tree, blows out of the barrel, pushing the tank back. From the fire streaks a HEAT round, white hot, leaving a laser like tracer as it bears down on NEO.
REAL TIME
THE TRACER stops in front of NEO, and out of the air the HEAT round appears. Suspended in air, it shakes with violence. It accelerates backwards, flying straight back into the tank barrel.
INT. TANK TURRET
THE gunner screams as the BREECH explodes, blocking our view.
EXT. TANK
The tanks explodes like a 60-ton hand grenade, plowing soldiers onto their faces, consuming the unlucky ones close to it, and throwing the 30-ton turret straight up, 10 yards into the air. It rotates, aflame, and comes crashing down on a nearby commander and his radio man.
INT. METACORTEX OFFICE
THE EXPLOSION shakes the building. The scene below is a complete route. Black smoke billows up from the flaming wrecks. The remaining tanks aren’t retreating - the crews are piling out and running. The Apache helicopters turn tail and run.
AGENT JONES
" The plan is not working."
AGENT SMITH
" No shit."
AGENT BROWN enters the room.
AGENT BROWN
" What about your proté gé? "
AGENT SMITH
" He’s not ready yet. I’ll deal with this myself."
AGENT JONES
" You can’t beat him."
AGENT SMITH
" I’ve been altered. I’m Smith, 2.0."
AGENTS BROWN and JONES look at one another.
CU: SMITH
HE clenches his teeth, as though he’s girding himself for something.
SMITH
" Kill the others. I’ll take care of this."
INT. MAIN BRIDGE
RAZOR is at his operator chair, surrounded by consoles. Some of the Matrix code screens are in blue, others in red, at least one in green. The code on the green screen starts pouring down at an incredible rate.
RAZOR
" Fuck."
HE hits something on the keypad.
EXT. ROOF
MORPHEUS answers his phone.
INT. MAIN BRIDGE
RAZOR
" They’re about to pull something. Processing power is pouring into the agent programs and they’re locking onto your 3-D grid displacements.
EXT. ROOF
MORPHEUS
" Send through ghosts to confuse their lock."
RAZOR
" Got it."
INT. MAIN BRIDGE
THE GHOST program is loaded. We see 3-D images of Morpheus and the others flash across the screen.
INT. OFFICE BUILDING
SMITH STANDS alone, his comrades have disappeared.
THE glass before him shimmers.
EXT. OFFICE
THE mirrored glass of Smith’s office wavers, then explodes towards us. SMITH jumps, and we pan down to follow his descent. He smacks into the pavement on his feet in front of NEO.
EXT. METACORTEX PLAZA
SMITH STANDS, facing NEO, about two fighting distances away.
NEO’s concentration is broken. The METACORTEX building comes to a shuddering halt.
NEO
" You’re back."
CU: SMITH
He nods.
NEO
" And you have a ponytail now."
AS we concentrate on NEO, and he concentrates on SMITH, we can see more black suits marching up behind him.
NEO attacks SMITH. SMITH backs away slowly, blocking against a losing battle and taking hits. Meanwhile, the MEN IN BLACK converge on NEO. Just as NEO lands a smashing blow on SMITH’S chin, three voices at once shout:
" HEY! "
NEO turns, and SMITH pushes him hard in the opposite direction to face:
THREE SMITHS! They attack at once, one going low and hard with a knee breaking sweep kick, the other punching NEO in the face, and the third breaking to the side and putting his toe into NEO’s stomach with a vicious side-kick.
They attack is in perfect synch, eight arms and eight legs working like clockwork, striking their target without getting in the way of each other. The attack slams NEO back, right into the first, bloodied SMITH. NEO slams into his shoving arms, and stops as though he backed into a brick wall. AGENT SMITH grabs him and holds him in a FULL NELSON, exposing him to his three copies. The copies shift position and attack again. Two stand together, left shoulder to right, and with their combined arms slam NEO in the face, then step apart as the third comes in. The THIRD grabs the shoulders of the other two and flips, walking his loafers up NEO’s body, and kicking him from below, right up into the chin of his jaw! It snaps NEO’s back with a spray of blood.
EXT. ROOFTOP
MORPHEUS and NIOBE stare on as the fight rages.
MORPHEUS grips the edge of the brick wall edge. The stone crumbles under the tension.
MORPHEUS
" We can only watch."
EXT. PLAZA
THE ASSAULT on NEO continues. He struggles, unable to concentrate long enough to find a way to fight back.
INT. MAIN DECK
RAZOR bangs away at the keyboard.
RAZOR
" Four fucking agents, no wonder so much processing power is devoted to them."
EXT. ROOF
A BIRD flying by NIOBE and MORPHEUS slows its flight, slows its flapping, and freezes.
CU: MORPHEUS. A pink lightning bolt freezes as it streaks across the sky, sealing the world’s light in an a light rouge.
EXT. CITY STREET
Near the plaza, panicked civilians slow, and fall to the ground as though they’re passing out.
INT. MAIN DECK
Razor stares at the data pouring down the screens.
RAZOR
" No goddamned way."
His headphone chimes.
RAZOR
" Operator."
EXT. ROOF
MORPHEUS is on the phone
MORPHEUS
" What the hell’s going on? "
INT. MAIN DECK
RAZOR
" They’re putting all the coppertops to sleep. They froze the Matrix."
MORPHEUS
" Why? "
RAZOR
" All processing power is being re-diverted to the agent program."
NIOBE stands at the edge of the building and points down.
NIOBE
" Morpheus, look! "
DOWN on the ground below them, there’s a swarm of AGENT Smiths
EXT. STREET
The passed-out people stand, and one by one, MORPH into AGENT SMITHS. It happens over, and over, until dozens, then hundreds, are marching on the plaza.
EXT. PLAZA
NEO reaches back and puts his hands on either side of SMITH’S head. As he’s being pummeled from the front, he squeezes and screams. His screams are mixed with SMITH’S. The agent’s head deforms as we’re hear a sickening crack. Suddenly, the body reverts back to that of the original owner, a security guard, and the head simply EXPLODES.
THE hold broken, NEO stumbles back over the body, with the three SMITHS in pursuit. He somersaults, comes up on his feet, and jumps to the left, putting one Smith in front of the other two. He attacks, his killing blows destroying SMITH, smashing through his blocks. He falls, and NEO takes on the other two, giving a kick jump that knocks both of them away in one shot.
As he comes down, a wall of Smith’s converges from all sides. They stop, leaving a circle around him.
WE PAN BACK to view a sea of black-suited SMITHS flooding the plaza.
CU: NEO
AS his hand passes over his face, it is refreshed, anew, perfect again. He surveys the wall-to-wall SMITHS.
SMITH talks with his voice, times a thousand.
SMITH
" NEO, leave the Matrix. You know not what you’re doing."
NEO
" Well, is that right? "
HE turns to the METACORTEX building. It’s repairing, growing steel girders and concrete skin.
NEO’s face darkens.
NEO
" No! "
REALITY SHIMMERS as his anger strikes out at the building. The tops floors burn, and then explode. The explosion rips down the building, slowing, slowing, then stopping.
THOUSANDS of SMITHS are gazing up at the building, concentrating on combating NEO’s attack.
EXT. ROOF
GREGORY sees the building exploding, and runs. He smashes through an access door.
INT. STAIRWAY
GREGORY hurtles down the stairs, one at a time.
EXT. METACORTEX BUILDING
THE building is frozen, mid-explosion. TONS of pieces hanging in the air, suspended only by frozen tendrils of fire and arms of smoke and debris.
THE SMITHS attack NEO. They fight in a massive melee, dying in mass. Meanwhile, the METACORTEX building pulls back together, the damage and flame disappearing as time/space around it is reversed.
CUT TO:
EXT. ROOFTOP
CU: AGENT BROWN
With his hand on his ear piece, he comes out the elevator door, slowly. Pistol drawn, he looks around the corner.
MORPHEUS and NIOBE stand there, their backs to him.
Without hesitating, he advances on them, blasting away with impunity.
THE BODIES of MORPHEUS and NIOBE are wracked by gunfire and collapse in a heap of bullet-ravaged flesh.
BROWN walks up to the corpses and kicks one with his shoe. It shimmers, and then disappears, followed by the other.
INT. MAIN DECK
RAZOR dials the phone. MORPHEUS picks up.
MORPHEUS (V.O.)
" Yes."
RAZOR
" They’re hitting your ghosts."
MASSIVE attack of STATIC bursts on the line.
RAZOR
" What the - "
THE LINE goes dead.
EXT. ROOFTOP
MORPHEUS looks at the phone and redials. RAZOR comes through, his voice digitized and distorted.
RAZOR
" They’re cutting comes, get to the access point on Laxe - "
THE line goes dead.
MORPHEUS signals to NIOBE. They exit the roof as he dials TRINITY
INT. EMPTY BUILDING
CHOI and TRINITY hide in the shadows of an empty room, watching the battle. TRINITY’S cell rings. She answers silently.
MORPHEUS (V.O.)
" Let’s go. Laxe Three."
TRINITY
" What about Neo? "
MORPHEUS (V.O.)
" We can do nothing to help him. We’ll only get in his way."
THEY leave the room.
INT. LOBBY
GREGORY stumbles into the lobby. Slumbering bodies lie everywhere, slumped over desks, half-in chairs, on the ground.
EXT. PLAZA
HE exits into the street. The scene is one from HELL.
UNDER the neon sky, fires are frozen and smoke columns hang in the air, still, like massive tree trunks.
The battle rages and surges, a thousand SMITHS pouring onto one NEO. All around, nearly covering the ground, are corpses, destroyed bodies abandoned by the agent. Men and women, of all ages and designs, smashed, decapitated and broken.
CU: NEO
THE SMITHS overwhelm him with sheer numbers. NEO is a blur, a human chainsaw now, crushing or smashing them all, but they crowd on all sides. The bodies pile up as they fall, and NEO finds himself stepping up the rubbery mass of corpses. A few more smashed SMITHS fall, morph back into their stolen forms, and NEO is KNEE-DEEP IN THE DEAD.
He can’t take it. Choking, NEO struggles to free himself. SMITHS climb up the corpse pile and drop onto him, pounding viciously. NEO stalls, in shock, his eyes locked with the lifeless blue eyes of a woman he just killed. She looks amazingly like TRINITY.
Perhaps for the first time, he is confronted with the consequences of this war, and his mind seizes as the Smiths pummel him.
NEO goes berzerk! SCREAMING and fighting, he claws his way out and surges into the wall of agents. They throw him back, and he can’t kill them fast enough. HE leaps upward, trying to fly away, but Smiths cling on to him, and cling on to each other.
EXT. PLAZA
NEO struggles to fly, and as he does, he’s pulling a stalagtite of black suits, clinging like iron filings on a magnet.
CU: NEO
HIS face is wide with fear and shock. He can’t climb anymore, and looks back down at the mountain of agents he’s pulling into the air. His face clenches shut as a scream wells from deep within him. He starts to glow, and we jump back to see:
A MASSIVE orange, spherical shock wave blasts away from his body. It rebounds on the plaza and throws bodies upward, even as it blasts the Smiths away, leaving him clean.
EVERYTHING slows down as NEO, exhausted, tumbles out of the sky. On his way down through the neon light, he passes bodies flying upward from the concussion. NEO hits the ground, bounces, and lies still, sprawled, as people drop all around him, piling up, like Satan’s snowfall.
EXT. ALLEY (MATRIX) DAY
THE sky and Matrix are still frozen. TRINITY and CHOI make their way along cautiously, leapfrogging from cover to cover. They pause behind a dumpster, and just before looking out, there’s the sound of metal tapping metal, twice.
TRINITY looks in the direction of the sound. MORPHEUS and NIOBE are standing still in the shadows, near the end of the alley. TRINITY AND CHOI make their way to them.
TRINITY peeks cautiously around the edge. On the other side of the street is a phone booth.
TRINITY
" Is it clear? "
MORPHEUS
" I smell an ambush."
NIOBE
" Me too. Too quiet."
CHOI grips his gun and grimaces.
CHOI
" Too quiet? The world is frozen. I’ll go first."
NO one likes the idea.
REAL-TIME suddenly returns. The lightning bolts in the sky suddenly re-animate, thundering out of existence, making the four of them jump out of their skulls. The sounds of the city suddenly flood back.
ON THE street, people stir to their feet. Everyone is confused as to what happened.
EXT. PLAZA
IT’S a sea of the dead. From its center, NEO emerges, soaked in blood, gagging and gasping for breath. He stumbles over them. Shocked and crazed, he glimpses the Metacortex building. It’s in one piece again, unharmed.
He falls against a smashed corporate art sculpture. He picks a cell phone up from the ground and dials.
NEO
" Morpheus, pick up."
We hear nothing but static. Disgusted, NEO throws the phone away. He falls against the sculpture and looks up. Coming around the corner of the building is a group of agents and soldiers.
NEO sinks down, staring at his hands. He catches his breath and concentrates. The blood disappears, and he dons the suit of an anonymous soldier in black. His face, too, seems to change.
HE stands and walks away. We only see his back.
EXT. ALLEY - DAY
THEY weigh their options. Finally, MORPHUES gives the nod to CHOI.
MORPHEUS
" Go."
CHOI checks his ammo and puts his guns under his coat. There are lots of people on the streets now. Everyone’s in shock over what happened, and the columns of smoke rising from the center of the city.
CHOI
" And remember, kids, when you’re in a war, never volunteer yourself! "
HE walks out onto the street, eyeing the phone booth and everything else. A gorgeous Asian businesswoman stumbles into him. Recognition lights up her face and she stops him.
WOMAN
" Choi? Oh my God, I haven’t seen you for months."
CHOI keeps looking around, making his way to the booth.
" Oh yeah, sorry about that."
SHE turns angry.
" Sorry about that? What kind of an asshole are you? "
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