ИСКУССТВО В ПЛАВИЛЬНОМ КОТЛЕ

David Wilson. Anglo-Saxon Art (London: Thames and Hudson, 1984)

Он же. The Bayeux Tapestry (London: Thames and Hudson, 1985)

Janet Backhouse. The Lindisfarne Gospels (Oxford: Phaidon, 1981; переизд. London, 1994)

Jean Hubert et al. L'Empire Carolingien. (Paris: Gallimard, 1968)

ЦЕРКОВЬ ВОИНСТВУЮЩАЯ

Meyer Schapiro. Romanesque Art (London: Chatto and Windus, 1977)

George Zarnecki, ed. English Romanesque Art 1066–1200 (London: Royal Academy, 1984)

Hanns Swarzenski. Monuments of Romanesque Art: the Art of Church Treasures in North-Western Europe (London: Faber, 1954; 2-е изд., 1967)

Otto Pacht. Book Illumination in the Middle Ages (London: Harvey Miller, 1986)

Christopher de Hamel. A History of Illuminated Manuscripts (Oxford: Phaidon, 1986; 2-е изд., London, 1994)

J.J.G. Alexander. Medieval Illuminators and their Methods (New Haven-London: Yale U.P., 1992)

ЦЕРКОВЬ ТОРЖЕСТВУЮЩАЯ

Henri Focillon. L'Art d'Occident. Le moyen age roman et gothique. (Paris: Colin, 1947)

Joan Evans. Art in Medieval France (London: Oxford U.P., 1948)

Robert Branner. Chartres Cathedral (London: Thames and Hudson, 1969; переизд. New York: W.W. Norton, 1980)

Max Hirmer, Willibald Sauerlander. Gotische Skulptur in Frankreich. 1140–1270 (Munchen: Hirmer, 1970)

Jean Bony. Cathedrals gothiques en France (Paris: Braun, 1954)

James H. Stubblebine. Giotto, the Arena Chapel Frescoes (London: Thames and Hudson, 1966; 2-е изд., 1993)

Jonathan Alexander, Paul Binski, ed. Age of Chivalry: Art in Plantagenet England 1200–1400 (London: Royal Academy, 1987)

ПРИДВОРНЫЕ И ГОРОЖАНЕ

Jean Bony. The English Decorated Style (Oxford: Phaidon, 1979)

Andrew Martindale. Simone Martini (Oxford: Phaidon, 1988)

Millard Meiss. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries (2 vols., New York: Braziller, 1974)

Jean Longnon et al. The Tres Riches Heures of the Duc de Berry (London: Thames and Hudson, 1969; переизд. 1989)

ЗАВОЕВАНИЕ РЕАЛЬНОСТИ.

Eugenio Battisti. Brunelleschi: the Complete Work (London: Thames and Hudson, 1981)

Bruce Cole. Masaccio and the Art of Early Renaissance Florence (Bloomington: Indiana U.P., 1980)

Umberto Baldini, Ornella Casazza. La Capella Brancacci (Milano: Olivetti; Electa, 1990)

Paul Joannides. Masaccio and Masolino (London: Phaidon, 1993)

H.W. Janson. The Sculpture of Donatello (Princeton U.P., 1957)

Bonnie A. Bennett, David G. Wilkins. Donatello (Oxford: Phaidon, 1984)

Kathleen Morand. Claus Sluter: Artist of the Court of Burgundy (London: Harvey Miller, 1991)

Elizabeth Dhanens. Hubert and Jan van Eyck (Antwerp: Fonds Mercator, 1980)

Erwin Panofsky. Early Netherlandish Painting: Its Origin and Character (2 vols., Cambridge, Mass.: Harvard U.P., 1953; переизд. New York: Harper and Row, 1971)

ТРАДИЦИЯ И НОВАТОРСТВО: I

Franco Borsi. L.B. Alberti: L'opera completa (Milano: Electa, 1980)

Richard Krautheimer. Lorenzo Ghiberti (Princeton U.P., 1956; пересмотр. изд., 1970)

John Pope-Hennessy. Fra Angelico (London: Phaidon, 1952; 2-е изд., 1974). Русск. перев.:

Джон Поуп-Хеннесси. Фра Анджелико (М.: Слово/Slovo, 1995)

Он же. Uccello (London: Phaidon, 1950; 2-е изд., 1969)

Ronald Lightbown. Mantegna (Oxford: Phaidon-Christie's, 1986)

Jane Martineau, ed. Andrea Mantegna (London: Thames and Hudson, 1992)

Kenneth Clark. Piero della Francesca (London: Phaidon, 1951; 2-е изд., 1969)

Ronald Lightbown. Piero della Francesca (New York: Abbeville, 1992)

L.D. Ettlinger. Antonio and Piero Pollaiuolo (Oxford: Phaidon, 1978)

H. Horne. Botticelli: Painter of Florence (London: Bell, 1908; переработ. изд.: Sandro Botticelli: Life and Work. London: Thames and Hudson, 1989)

О картинах Весна и Рождение Венеры см. мою статью Botticelli's Mythologies — Symbolic Images (London: Phaidon, 1972; 3-е изд., Oxford, 1985; переизд. London, 1995)

ТРАДИЦИЯ И НОВАТОРСТВО: II

John Harvey. The Perpendicular Style (London: Batsford, 1978)

Martin Davies. Rogier van der Weyden: An Essay, with a Critical Catalogue of Paintings ascribed to him and to Robert Campin (London: Phaidon, 1972)

Michael Baxandall. The Limewood Sculptors of Renaissance Germany (New Haven — London: Yale U.P., 1980)

Jan Bialostocki. The Art of the Renaissance in Eastern Europe (Oxford: Phaidon, 1976)

ДОСТИГНУТАЯ ГАРМОНИЯ

Arnaldo Bruschi. Bramante. Bari: Laterza, 1973 Kenneth Clark. Leonardo da Vinci (Cambridge U.P., 1939; переработ. изд., Harmondsworth: Penguin, 1988)

A.E. Popham, ed. Leonardo da Vinci: Drawings (London: Cape, 1946; переработ. изд., 1973)

Martin Kemp. Leonardo da Vinci: The Marvellous Works of Nature and Man (London: Dent, 1981)

См. также эссе в моих книгах: The Heritage of Apelles (Oxford: Phaidon, 1976; переизд. London, 1993), pp. 39–56, и New Light on Old Masters (Oxford: Phaidon, 1986; переизд. London, 1993), pp. 32–88.

Herbert von Einem. Michelangelo. Bildhauer, Maler, Baumeister (Berlin: Mann, 1973)

Howard Hibbard. Michelangelo (Harmondsworth: Penguin, 1975; 2-е изд., 1985).

См. особенно введения здесь и в предыдущей книге. Johannes Wilde. Michelangelo: Six Lectures (Oxford U.P., 1978)

Ludwig Goldscheider. Michelangelo: Paintings, Sculpture, Architecture (London: Phaidon, 1953; 6-е изд., 1995)

Michael Hirst. Michelangelo and his Drawings (New Haven-London: Yale U.P., 1988)

Полные каталоги произведений Микеланджело см.: Frederick Hartt. The Paintings of Michelangelo (New York: Abrams, 1964)

Он же. Michelangelo: The Complete Sculpture (New York: Abrams, 1970)

Он же. Michelangelo Drawings (New York: Abrams, 1970)

О Сикстинской капелле см.: Charles Seymour, ed. Michelangelo: the Sistine Ceiling (New York: W.W. Norton, 1972)

Carlo Pietrangeli, ed. The Sistine Chapel: Michelangelo Rediscovered (London: Muller, Blond and White, 1986)

John Pope-Hennessy. Raphael (London: Phaidon, 1970)

Roger Jones, Nicholas Penny. Raphael (New Haven-London: Yale U.P., 1983)

Luitpold Dussler. Raphael: Kritisches Verzeichnis der Gemalde, Wandbilder und Bildteppiche (Munchen, 1966)

Paul Joannides. The Drawings of Raphael with a Complete Catalogue (Oxford: Phaidon, 1983)

О Станца делла Сеньятура см. статью в моей книге: Symbolic Images (London: Phaidon, 1972; 3-е изд., Oxford, 1985; переизд. London, 1995), pp. 85-101;

О Мадонне в кресле см. статью в моей книге: Norm and Form (London: Phaidon, 1966; 4-е изд., Oxford, 1985; переизд. London, 1995), pp. 64–80.

СВЕТ И ЦВЕТ

Deborah Howard. Jacopo Sansovino (New Haven-London: Yale U.P., 1975)

Bruce Boucher. The Sculpture of Jacopo Sansovino (2 vols., New Haven-London: Yale U.P., 1992)

Johannes Wilde. Venetian Art from Bellini to Titian (Oxford U.P., 1974)

Giles Robertson. Giovanni Bellini (Oxford U.P., 1968)

Terisio Pignatti. Giorgione: Complete Edition (London: Phaidon, 1971)

Harold Wethey. The Paintings of Titian (3 vols., London: Phaidon, 1969–1975)

Charles Hope. Titian (London: Jupiter, 1980)

Cecil Gould. The Paintings of Correggio (London: Faber, 1976)

A.T. Popham. Correggio's Drawings (London: British Academy, 1957)

РАСПРОСТРАНЕНИЕ НОВОГО СТИЛЯ

Erwin Panofsky. The Life and Art of Albrecht Durer (Princeton U.P., 1943; 4-е изд., 1955; переизд. 1971)

Nikolaus Pevsner, Michael Veier. Grunewald (London: Thames and Hudson, 1948)

G. Scheja. The Isenheim Altarpiece (Cologne: DuMont; New York: Abrams, 1969)

Max J. Friedlander. Die Gemalde von Lucas Cranach (Berlin: Deutscher Verein fur Kunstwissenschaft, 1932)

Walter S. Gibson. Hieronymus Bosch (London: Thames and Hudson, 1973) — см. также статью в моей книге: The Heritage of Apelles (Oxford: Phaidon, 1976; переизд. London, 1993), pp. 79–90.

R.H. Marijnissen. Hieronymus Bosch: The Complete Works (Antwerp: Tatard, 1987)

КРИЗИС ИСКУССТВА

James Ackerman. Palladio (Harmondsworth: Penguin, 1966)

John Sherman. Mannerism (Harmondsworth: Penguin, 1967)

John Pope-Hennessy. Cellini (London: Macmillan, 1985)

Sydney J. Freedberg. Parmigianino: His Works in Painting (2 vols., Cambridge, Mass.: Harvard U.P., 1950)

A.T. Popham. Catalogue of the Drawings of Parmigianino (3 vols., New Haven-London: Yale U.P., 1971)

Charles Avery. Giambologna (Oxford: Phaidon-Christie's, 1987; переизд. London: Phaidon, 1993)

Hans Tietze. Tintoretto: The Paintings and Drawings (London: Phaidon, 1948)

Harold E. Wethey. El Greco and his School (2 vols., Princeton U.P., 1962)

John Rowlands. Holbein: The Paintings of Hans Holbein the Younger (Oxford: Phaidon, 1985)

Roy Strong. The English Renaissance Miniature (London: Thames and Hudson, 1983) — статьи о Николасе Хильярде и Исааке Оливере.

Fritz Grossmann. Peeter Brueghel. Die Gemalde (Koln: Phaidon, 1955)

Ludwig Munz. Brueghel: The Drawings. Transl. from the German manuscript (London: Phaidon, 1961)

ВИДЕНИЕ И ВИДЕНИЯ

Rudolf Wittkower. Art and Architecture in Italy 1600–1750 (Harmondsworth: Penguin, 1958; 3-е изд., 1973)

Ellis Waterhouse. Italian Baroque Painting (London: Phaidon, 1962; 2-е изд., 1969)

Donald Posner. Annibale Carracci: A Study in the Reform of Italian Painting around 1590 (2 vols., London: Phaidon, 1971)

Walter Friedlander. Caravaggio Studies (Princeton U.P., 1955)

Howard Hibbard. Caravaggio (London: Thames and Hudson, 1983)

D. Stephen Pepper. Guido Reni: A Complete Catalogue of his Works with an Introductory Text (Oxford: Phaidon, 1984)

Anthony Blunt. The Paintings of Poussin (3 vols., London: Phaidon, 1966–1967)

Marcel Rothlisberger. Claude Lorrain: The Paintings (2 vols., New Haven-London: Yale U.P., 1961)

Julius S. Held. Rubens: Selected Drawings (3 vols., London: Phaidon, 1959; 2-е изд. в одном томе, Oxford, 1986)

Он же. The Oil Sketches of Peter Paul Rubens: A Critical Catalogue (2 vols., Princeton U.P., 1980)

Corpus Rubenianum Ludwig Burchard (London: Phaidon; London: Harvey Miller, 1968 — планируется 27 томов, 15 из которых уже изданы)

Michael Jaffe. Rubens and Italy (Oxford: Phaidon, 1977)

Christopher White. Peter Paul Rubens: Man and Artist (New Haven-London: Yale U.P., 1987)

Christopher Brown. Van Dyck (Oxford: Phaidon, 1982)

Jonathan Brown. Velazquez (New Haven-London: Yale U.P., 1986)

Enriqueta Harris. Velazquez (Oxford: Phaidon, 1982)

Jonathan Brown. The Golden Age of Painting in Spain (New Haven-London: Yale U.P., 1991)

ЗЕРКАЛО ПРИРОДЫ

Katharine Fremantle. The Baroque Town Hall of Amsterdam (Utrecht: Dekker and Gumbert, 1959)

Seymour Slive. Trans Hals (3 vols., London: Phaidon, 1970-4)

Он же. Jacob van Ruisdael (New York: Abbeville, 1981)

Gary Schwarz. Rembrandt: His Life, his Paintings (Harmondsworth: Penguin, 1985)

Jakob Rosenberg. Rembrandt: Life and Work (2 vols., Cambridge, Mass.: Harvard U.P., 1948; 4-е изд., Oxford: Phaidon, 1980)

A. Bredius. Rembrandt: Complete Edition of the Paintings (Vienna: Phaidon, 1935; 4-е, переработ. изд., London: Phaidon, 1971)

Otto Benesch. The Drawings of Rembrandt (6 vols., London: Phaidon, 1954-7; переработ. изд., 1973)

Christopher White, K.G. Boon. Rembrandt's Etchings: An Illustrated Critical Catalogue (2 vols., Amsterdam: Van Ghendt, 1969)

Christopher Brown, Jan Kelch, Pieter van Thiel. Rembrandt: The Master and his Workshop (2 vols., New Haven-London: Yale U.P., 1991)

Baruch D. Kirschenbaum. The Religious and Historical Paintings of Jan Steen (Oxford: Phaidon, 1977)

Wolfgang Stechow. Dutch Landscape Painting of the Seventeenth Century (London: Phaidon, 1966; 3-е изд., Oxford, 1981)

Svetlana Alpers. The Art of Describing: Dutch Art in the Seventeenth Century (London: John Murray, 1983)

Lawrence Gowing. Vermeer (London: Faber, 1952)

Albert Blankert. Vermeer of Delft: Complete Edition of the Paintings (Oxford: Phaidon, 1978)

John Michael Montias. Vermeer and his Milieu (Princeton U.P., 1989)

ВЛАСТЬ И СЛАВА: I

Anthony Blunt, ed. Baroque and Rococo Architecture and Decoration (London: Elek, 1978)

Он же. Borromini (Harmondsworth: Penguin, 1979; нов. изд. Cambridge, Mass.: Harvard U.P., 1990)

Rudolf Wittkower. Gian Lorenzo Bernini (London: Phaidon, 1955; 3-е изд., Oxford, 1981)

Robert Enggass. The Paintings of Baciccio: Giovanni Battista Gaulli 1639–1709 (University Park: Pennsylvania State U.P., 1964)

Michael Levey. Giambattista Tiepolo (New Haven-London: Yale U.P., 1986)

Он же. Painting in Eighteenth Century Venice (London: Phaidon, 1959; 3-е изд., New Haven-London: Yale U.P., 1994)

Julius S. Held, Donald Posner. Seventeenth and Eighteenth Century Art (NewYork-London: Abrams, 1972)

ВЛАСТЬ И СЛАВА: II

G. Walton. Louis XIV and Versailles (Harmondsworth: Penguin, 1986)

Anthony Blunt. Art and Architecture in France 1500–1700 (Harmondsworth: Penguin, 1953; 4-е изд., 1980)

Henry-Russell Hitchcock. Rococo Architecture in Southern Germany (London: Phaidon, 1968)

Eberhard Hempel. Baroque Art and Architecture in Central Europe (Harmondsworth: Penguin, 1965)

Marianne Roland Michel. Watteau: Un artiste au XVIII-e siecle (Paris: Flammarion, 1984)

Donald Posner. Antoine Watteau (London: Weidenfeld and Nicolson, 1984)

ВЕК РАЗУМА

Kerry Downes. Sir Christopher Wren (London: Granada, 1982)

Ronald Paulson. Hogarth: His Life, Art and Times (2 vols., New Haven-London: Yale U.P., 1971; сокращен. изд. в одном томе, 1974)

David Blindman. Hogarth (London: Thames and Hudson, 1981)

Ellis Waterhouse. Reynolds (London: Phaidon, 1973)

Nicolas Penny, ed. Reynolds (London: Royal Academy, 1986)

John Hayes. Gainsborough: Paintings and Drawings (London: Phaidon, 1975; переизд. Oxford, 1978)

Он же. The Landscape Paintings of Thomas Gainsborough: A Critical Text and Catalogue Raisonne (2 vols., London: Sotheby's, 1982)

Он же. The Drawings of Thomas Gainsborough (2 vols., London: Zwemmer, 1970)

Он же. Thomas Gainsborough (London: Tate Gallery, 1980)

Georges Wildenstein. Chardin, a Catalogue Raisonne (Oxford: Cassirer, 1969)

Philip Conisbee. Chardin (Oxford: Phaidon, 1986)

H.H. Arnason. The Sculptures of Houdon (London: Phaidon, 1975)

Jean-Pierre Cuzin. Jean-Honore Fragonard: Vie et oeuvre; catalogue complet des peintures (Fribourg: Suisse, 1987)

Oliver Millar. Zoffany and his Tribuna (London: Routledge and Kegan Paul, 1967)

РАЗРЫВ ТРАДИЦИИ

J. Mordaunt Crook. The Dilemma of Style (London: John Murray, 1987)

J.D. Prown. John Singleton Copley (2 vols., Cambridge, Mass.: Harvard U.P., 1966)

Anita Brookner. Jacques-Louis David (London: Chatto and Windus, 1980)

Paul Gassier, Juliet Wilson. The Life and Complete Work of Francisco Goya (New York: Reynal, 1971; переработ. изд., 1981)

Janis Tomlinson. Goya (London: Phaidon, 1994)

David Bindman. Blake as an Artist (Oxford: Phaidon, 1977)

Martin Butlin. The Paintings and Drawings of William Blake (2 vols., New Haven-London: Yale U.P., 1981)

Martin Butlin, Evelyn Joll. The Paintings of J.M.W. Turner, a Catalogue (2 vols., New Haven-London: Yale U.P., 1977; переработ. изд., 1984)

Andrew Wilton. The Life and Work of J.V.W. Turner (London: Academy, 1979)

Graham Reynolds. The Late Paintings and Drawings of John Constable (2 vols., New Haven-London: Yale U.P., 1984)

Malcolm Cormack. Constable (Oxford: Phaidon, 1986)

Walter Friedlander. From David to Delacroix (Cambridge, Mass.: Harvard U.P., 1952)

William Vaughan. German Romantic Painting (New Haven-London: Yale U.P., 1980)

Helmut Borsch-Supan. Caspar David Friedrich (London: Thames and Hudson, 1974; 4-е изд., Munich: Prestel, 1990)

Hugh Honour. Neo-classicism (Harmondsworth: Penguin, 1968)

Он же. Romanticism (Harmondsworth: Penguin, 1981)

Kenneth Clark. The Romantic Rebellion (London: Sotheby's, 1986)

ПЕРМАНЕНТНАЯ РЕВОЛЮЦИЯ

Robert Rosenblum. Ingres (London: Thames and Hudson, 1967)

Robert Rosenblum, H.W. Janson. The Art of the Nineteenth Century (London: Thames and Hudson, 1984)

Lee Johnson. The Paintings of Eugene Delacroix (6 vols., Oxford U.P., 1981–1989)

Michael Clarke. Corot and the Art of Landscape (London: British Museum, 1991)

Peter Galassi. Corot in Italy: Open-Air Painting and the Classical Landscape Tradition (New Haven-London: Yale U.P., 1991)

Robert Herbert. Millet (Paris: Grand Palais; London: Hayward Gallery, 1975)

Courbet (Paris: Grand Palais; London: Royal Academy, 1977)

Linda Nochkin. Realism (Harmondsworth: Penguin, 1971)

Virginia Surtees. The Paintings and Drawings of Dante Gabriel Rossetti (Oxford U.P., 1971)

Albert Boime. The Academy and French Painting in the Nineteenth Century (London: Phaidon, 1971; переизд. New Haven-London: Yale U.P., 1986)

Manet (Paris: Grand Palais; New York: Metropolitan Museum of Art, 1983) John House. Monet (Oxford: Phaidon, 1977; 3-е изд., London, 1991)

Paul Hayes Tucker. Monet in the 90s: The Series Paintings (New Haven — London: Yale U.P., 1989)

Renoir (Paris: Grand Palais; London: Hayward Gallery; Boston: Museum of Fine Arts, 1985)

Pissarro (London: Hayward Gallery; Paris: Grand Palais; Boston: Museum of Fine Arts, 1981)

J. Hillier. The Japanese Print: A New Approach (London: Bell, 1960)

Richard Lane. Hokusai: Life and Word (London: Barrie and Jenkins, 1989)

Jean Sutherland Boggs et al. Degas (Paris: Grand Palais; Ottawa: National Gallery of Canada; New York: Metropolitan Museum of Art, 1988)

John Rewald. The History of Impressionism (New York: Museum of Modern Art, 1946; 4-е изд., London: Secker and Warburg, 1973).

Русск. перевод: Джон Ревалд. История импрессионизма. Перев. А.Н. Изергиной (Л.-М.: Искусство, 1959; 2-е изд.: перев. П.В. Мелковой под ред. М.А. Бессоновой; М.: Республика, 1995)

Robert L. Herbert. Impressionism: Art, Leisure and Parisian Society (New Haven-London: Yale U.P., 1988)

Albert Elsen. Rodin (New York: Metropolitan Museum of Art, 1963)

Catherine Lampert. Rodin: Sculptures and Drawings (London: Hayward Gallery, 1986)

Andrew Maclaren Young, ed. The Paintings of James McNeill Whistler (New Haven-London: Yale U.P., 1980)

K.E. Maison. Honore Daumier: Catalogue of the paintings, Watercolours and Drawings (2 vols., London: Thames and Hudson, 1968)

Quentin Bell. Victorian Artists (London: Routledge and Kegan Paul, 1967) Graham Reynolds. Victorian Painting (London: Studio Vista, 1966)

В ПОИСКАХ НОВЫХ НОРМ

Robert Schmutzler. Art Nouveau — Jugendstil (Teufen: Niggli, 1962)

Roger Fry. Cezanne: A Study of his Development (London: Hogarth Press, 1927; нов. изд., Chicago U.P., 1989)

William Rubin, ed. Cezanne. The Late Work (London: Thames and Hudson, 1978)

John Rewald. Cezanne: The Watercolours (London: Thames and Hudson, 1983)

John Russell. Seurat (London: Thames and Hudson, 1965)

Richard Thomson. Seurat (Oxford: Phaidon, 1985; переизд. 1990)

Ronald Pickvance. Van Gogh in Aries (New York: Metropolitan Museum of Art, 1984)

Он же. Van Gogh in Saint Remy and Auvers (New York: Metropolitan Museum of Art, 1986)

Michel Hoog. Gauguin (London: Thames and Hudson, 1987)

Gauguin (Paris: Grand Palais; Chicago: Art Institute; Washington: National Gallery of Art, 1988)

Nicolas Watkins. Bonnard (London: Phaidon, 1994)

Gotz Adriani. Toulouse-Lautrec (London: Thames and Hudson, 1987)

Он же. Post-Impressionism: From Van Gogh to Gauguin (New York: Museum of Modern Art, 1956; 3-е изд., London: Secker and Warburg, 1978)

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