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Don't you ever touch me again.
KONWAY What are you talking about? I didn't even touch you. TONY (rabid) Don't you ever touch me mister, Or I'll call a cop. KONWAY You're wacko, man... Nobody's even touching you. TONY Getcha hands off me. Getcha hands off me. CUT TO FOREMAN A no-nonsense task master. He hears the commotion and starts to walk over. TONY Getcha hands off me. I'll call a cop. WORKER 1 Now you guys've done it. Here come the boss. FOREMAN What the hell is going on here? BUGSY Why nothin', Mr. Rathman. KONWAY I'll tell you what's going on. This mental case here is startin' With the stories again. Now he's tellin' us he had Two of 'em at the same time. TONY That's right. Just like a ham sandwich. FOREMAN Clifton, I'm not going to warn you again. We're not payin' you to tell stories About your screwin'. TONY (making no sense) Yeah, well I'm not payin' you either. FOREMAN (bewildered) Now everybody, get back to work or I'll fire the whole lot of you. There's Plenty of guys who would love to have your jobs and you, Clifton, no more stories! He leaves. TONY (to Bugsy) He's just jealous 'cause he ain't gettin' any. They go back to work for a while but Tony can't let it go. TONY (mumbling) Tellin' me I've never seen how it looks. I don't have ta take dat kind a crap. BUGSY Take it easy, Tony. You heard the boss... There's other guys just waiting for these jobs. TONY Yeah, well, they can have it. It's a bunch a crap anyway, if ya ask me. What's the sense a standin' here all day Screwin' on these tops when people get 'em Home they have ta unscrew 'em anyway. KONWAY Watch it, Clifton, Talk like that is un-American. TONY Don't talk to me about America, pal. WORKER 1 Will you guys stop already? TONY One a these days I'm gonna walk right outta here! KONWAY Is that a threat or a promise? TONY It's a threat and a promise. WORKER 1 Will you guys please, please stop? BUGSY Tony, please. TONY All right. (aside to Bugsy) Dere must be somethin' more Ta life than just standin' around here. I saw dis movie last night on TV. It's about dis girl, y' know, She goes over da rainbow and she sees paradise. Y'know, like... heaven. She sees like... meaninful in life. Maybe we should go over the rainbow. Y'know what I mean? BUGSY (trying to comprehend what Tony just said) Yeah.... (pause) Tonight you wanna go bowlin'? TONY Bowlin'? I'll tell ya what we should do. We'll go dancin'... Disco -- disco-tago. I'll show ya how to pick up some chiquitas. BUGSY A disco? ... Those girls are a little Too young for us aren't they? TONY Da way I look at it Bugsy is... If they're old enough ta bleed, They're old enough to butcher. BUGSY (embarrassed) Gee, Tony, I don't know. TONY Come on. We'll get all snazzed up. BUGSY But I don't know how to dance. TONY Don't worry, I'll show ya. I can do The twister better'n Chubby Checker. (smirk) CUT TO INT. DISCOTHEQUE - LATER Laser lighting, fog machines, vibrating dance floor. Couples are dancing to the latest disco hits. There's no one over 25 in the place. We hear the theme from “Saturday Night Fever” and at any moment we'd expect Travolta to walk in. Instead, Clifton appears. He's dressed to kill. Peach tuxedo with cumberbun. With him is an uncomfortable Bugsy. BUGSY Tony, I don't think this is our kind of place. TONY Lemme tell ya somethin' about the female species a manhood... they're nothin' but a Life support system for a pussy. (spots a Girl) You see that chick over dere? We see an attractive Girl standing alone. TONY Watch dis... I'm gonna show ya how it's done. Tony approaches Girl. Bugsy watches from afar. TONY Hey, good lookin', what ya got cookin'? How'd ya like ta cook somethin' up with me? (stupid grin) GIRL Would I what? TONY Do ya wanna shake a leg? Y'know, Slice up da dance floor a little? GIRL Get lost, asshole. She leaves. TONY Okay, okay. I can take a hint. Tony struts back to Bugsy. BUGSY What did she say? TONY What did who say? BUGSY The Girl you were just talking to. TONY (whispering) Oh, her. Well, at closer inspection I realized da broad had a hair lip. |
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